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Meisje met de parel
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Meisje met de parel

Jan Vermeer van Delft

The artist

Jan Vermeer van Delft

Born
Delft, Netherlands
Died
Delft, Netherlands
Art movement
Baroque

Jan Vermeer van Delft also called Johannes Vermeer was one of the most famous Dutch painters of the Baroque period. There is no definite information about Jan Vermeer's education, but he became a member of the St. Luke's Guild as a Freimeister on December 29, 1653. To be accepted into the guild, one must first complete a six-year apprenticeship with an artist recognized by the guild.

Since he painted on average only two pictures per year, he must have had other sources of income. In 1662 and 1663, as well as in 1670 and 1671, Vermeer was dean of the St. Luke's Guild.Already during his lifetime, Jan Vermeer was able to achieve good prices for his paintings and the artist painted very few pictures for the free art market.

In addition to his artistic activities, Jan Vermeer also worked as an art expert. For example, he verified the authenticity of a collection of Venetian and Roman paintings.

In the last years of his life, Vermeer's economic situation deteriorated, so that he had to take out loans. As a result of the French-Dutch War, which broke out in 1672 and lasted until 1679, he was unable to sell any more paintings. In 1675 Vermeer became ill and died within a few days. On December 15, 1675, he was buried in the family vault in the Oude Kerk in Delft.

The artwork

Meisje met de parel

Created
c. 1665
Technique
Oil on canvas

Johannes Vermeer’s Girl with a Pearl Earring dates from around 1665 and is held by the Mauritshuis in The Hague. Measuring just 44.5 × 39 centimetres, it is not a portrait of an identified individual but a tronie: a study of an imagined character.

The young woman turns towards us over her shoulder. Her blue-and-yellow turban, parted lips and the glimmer at her ear give the painting an extraordinary sense of presence. With remarkably few brushstrokes, Vermeer created the illusion of a luminous jewel. According to research by the Mauritshuis, the pearl was probably an imitation.

Technical examination has also revealed that the background, now dark in appearance, originally depicted a green curtain. The interplay of light, colour and restrained composition makes this one of the best-known images of seventeenth-century Dutch painting.

Artwork details

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